Tag : hollywood reporter

al_pacino_2014un desert de duminica: Al Pacino intr-un interviu minunat realizat saptamina asta

un desert de duminica: Al Pacino intr-un interviu minunat realizat saptamina asta

dintre multele lucruri frumoase pe care le-am citit saptamina aceasta, iata ceva ce stiu sigur ca o sa va placa

Al Pacino a dat un interviu in Hollywood Reporter – care nu e semnat de jurnalistul pe care-l solicita mereu la interviuri, Lawrence Grobel – in care povesteste cu sinceritate din viata lui, lucru foarte foarte surprinzator pentru el.


despre inceput, saminta sadita in mintea lui ca ar putea fi actor .

“My eighth grade teacher had me read the Bible, read the psalms for assembly… Only I didn’t read them, I read them. And the teacher kinda liked me for some reason — nobody else did, but she liked me — and she went up to the South Bronx, to my tenement on the fifth floor [where I lived] with my grandmother and grandfather and mother… She walked all the way up six flights, went into my apartment, and was having coffee with, of all people, my grandmother, and she was telling her that I should do this with my life. So I think that was a turning point — not for me, but for my grandmother!”

despre cum se descurca gemenii lui de 13 ani cu celebritatea tatalui…
“Sometimes it effects my younger children. They have to learn about it a little bit — you know, you can’t go to places and stuff. But that’s okay, they go off with other people. They’ve learned to adjust. Pretty soon I’m gonna say to them, ‘Darlings, you simply have to adjust.'”

despre cum si-a dat seama ca a devenit celebru
When, right after The Godfather, he first realized he was famous…
“Sometimes I would walk in New York and stand at a curb and if there was an attractive woman, sometimes I might say, ‘Hi.’ I wouldn’t be overbearing or anything, I’d just say, ‘Hi.’ I remember getting on a corner, and I saw this beautiful girl and I looked at her and said, ‘Hi,’ and she looked at me and said, ‘Hi, Michael.’ Well, you could have knocked me over. I thought, ‘Oh, my God, it’s over,’ meaning, ‘I’m not anonymous anymore. There’s no going back.'”

despre Al Pacino de pe ecran si alegerile pe care le-a facut ca profesionist
“When you put Tony Montana with Michael Corleone, they’re two different variations — I mean, they’re both living in that world [of gangsterdom], but they’re different. I mean, Birdman and The Humbling are both about actors, but they’re two different movies, two different worlds. I mean, if someone’s a painter — you’re gonna see a [work by] Jackson Pollock [the painter famous for splattering paint on canvases] and you’re gonna know it’s a Jackson Pollock; there’s a signature there and you’re gonna know it’s a Jackson Pollock.”

aici tot interviul care are aproape o ora

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TimBurtonSketchcum se face PR la Oscar

cum se face PR la Oscar

Hollywood Reporter l-a invitat pe Tim Burton sa deseneze cum se vede covorul roshu de la Oscar din perspectiva lui:)

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cel mai bun loc pentru PR la Oscar e pe covorul rosu. publicistii sunt Dumnezei acolo, iar vedetele se impart in doua categorii – cei care  ei i-au angajat pe publicisti si cei care sunt bucurosi ca au un publicist.

adica, Meryl  Streep vs Jennifer Lawrence.

cum va prindeti de smekerie? in functie de cit de devreme ajung pe covorul roshu. daca vin cu minim o ora inainte de debutul ceremoniei inseamna ca vor sa faca “press” adica sa dea interviuri, daca ajung exact cind incepe ceremonia, cu siguranta o fac pentru ca nu-i intereseaza aparitiile la televiziunile din lumea intreaga. (pentru ca nu au nimic de promovat, sau au facut asta de prea multe ori)

covorul roshu de la Oscar cu cele 8 opriri speciale pentru foto se parcurge intr-un interval de timp intre 45 de min si o ora si jumatate.
actritele ajung obosite deja in sala, dupa ce au stat pe tocuri incomode o ora jumatate pe covorul roshu.

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in 2001 am fost la ceremonia de decernare a premiilor Oscar si imi amintesc ca de joi dupa amiaza, cind se deschidea perimetrul pentru jurnalisti, reprezentatii televiziunilor din lumea intreaga incercau sa-si marcheze un loc al lor… cu pungi cu sticle, ca pe vremea lui Ceausescu la coada la lapte.

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in presa internationala sunt doua articole foarte interesante despre ce nu se vede pe covorul roshu. unul despre publicisti si cit de mult muncesc in ziua respectiva in Hollywood Reporter, si altul despre cum fac jurnalistii sa obtina declaratii puternice in doar citeva secunde de la actorii antrenati sa nu declare nimic – in New York Times

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(multumesc Alina Manolache pentru ideea acestui post)

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