Tag : actor

IMG_3237sa nu te lasi molipsit

sa nu te lasi molipsit

am mai spus ca-mi plac interviurile din seria “Momentelor insufletite de Silva Dark” – intr-o vreme in care internetul romanesc n-are foarte mult content original, interviurile astea sunt aur curat.

si pentru ca sunt postate online, ramin marturii pentru totdeauna despre viata unor oameni speciali.

azi am vazut un nou interviu, cu Marius Bodochi.

Nu l-am cunoscut niciodata pe domnul Bodochi , desi l-am vazut in multe spectacole/filme, dar dupa interviul asta – simtindu-l cum este ca om – mi-am dorit sa fac si eu un interviu cu dinsul.

Pentru mine domnul Bodochi e unul dintre actorii pe care regizorii l-au folosit mai mult pentru chipul lui special si nu i-au dat multe posibilitati ca sa-si exprime “interiorul”, asa ca de cele mai multe ori cind a avut o mica sansa sa arate energia care clocoteste pe dinauntru a facut-o cu toate resursele, uneori exagerind.

in plus, mai are in mintea mea – sa ma ierte pentru ce spun – imaginea “manhood”, a barbatiei, a spiritului macho. nu e nicio conotatie negativa in ce spun, are un chip si o exprimare foarte foarte “barbatoasa”, masculina.

dar l-am avut acum in interviul acesta in care vorbeste despre cum sa poti sa ai o viata linistita, despre prezent si cum tot ce ai facut ieri e “la revedere” si mi s-a parut foarte tare.

zice undeva ca e important sa nu te lasi molipsit si explica cum a invatat dinsul asta.

cam frumos.

2038
teatrucasting la London National Theatre

casting la London National Theatre

mi s-a intimplat de 2 ori in viata sa fiu in comisia de casting pentru o piesa.

la sfirsit imi doream ca tinerii actori sa fi stiut cite ceva despre autor, despre piesa si – in general – despre rolul pentru care dadeau auditia. pentru ca nu prea stiau.

iata ce zice directoarea de casting de la London National Theatre

1815
theatre_stage_curtaindespre cistigatori

despre cistigatori

As a working actress, I would see so many actors that were truly dredging up deep, painful emotions, but whose work seemed self-indulgent. I realized that having deep and profound feelings didn’t necessarily make me a deep and profound person. I saw that coddling one’s pain – in life and on stage — creates almost the opposite effect. It seems self-involved, self-pitying and weak, the key characteristics of a victim. Not the most compelling choice for an actor to make.

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An actor who merely feels tend to turn his performance inward and does not energize or inspire himself or an audience, whereas watching someone do anything and everything to override pain in an attempt to accomplish a goal or an OBJECTIVE puts an audience on the edge of their seats because the outcome becomes alive and unpredictable. Taking action results in risk and therefore, an unexpected journey. It’s not enough for an actor to be honest. It’s the actor’s job to make the kind of choices that motivate exciting results. You can paint a canvas using real oil paint, but if the final painting isn’t a compelling image, no one will want to look at it.

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Aristotle defined the struggle of the individual to win as the essence of all drama more than two thousand years ago. Overcoming and winning against all the hurdles and conflicts of life is what makes dynamic people. Martin Luther King, Jr., Stephen Hawking, Susan B. Anthony, Virginia Woolf, Albert Einstein, Beethoven, Mother Theresa, and Nelson Mandela all had to overcome almost insurmountable struggles in their lives to achieve their goals. Indeed, the greater the obstacles and the more passion these people brought to overcoming their obstacles, the more profound the achievement or contribution they made. They didn’t become amazing, accomplished people in spite of their challenges, but because of them. These are qualities we want to duplicate in characterizations.

It’s much more captivating to watch someone try to win against the odds, than someone content to put up with life’s travails. A winner doesn’t have to actually win to be a winner — A winner tries to win, a loser accepts defeat.

Ivana Chubbuck

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dintre lecturile ultimelor zile pentru cover story-ul Tabu de mai.

1685

in taxi

– Pot sa va intreb ce ascultati? m-a intrebat taximetristul cu un ton dubios, cum mi-am dat jos castile IPod-ului. Vroiam sa-i platesc si ar fi fost nepoliticos, sa o fac fara sa-l ascult o clipa, cit sa ne luam pa.
– De ce?
– V-ati schimbat expresia fetei tot drumul. V-ati incruntat, ati zimbit. Nu e muzica, nu?
– Nu, e o inregistrare cu un interviu.
– Pai si de ce va incruntati? Nu se auzea bine?
– Nu, ratasem niste intrebari, nu ma dusesem mai departe dupa ce raspusese omul.
– Si cu cine e interviul?
– Un actor la debut, nu-l cunoasteti.
– Aha. Nu stiam de ce va strimbati asa.

Nu mi-am imaginat niciodata ca ma strimb cind ascult interviurile pe care le fac:) plus ca tinarul actor chiar era simpa.

1295

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